![]() Once all your cameras have been corrected, you can optionally use the specially matched Leeming LUT Pro Quickies™ for a one-touch creative grade designed to work seamlessly with the common baseline of Leeming LUT Pro™ corrected footage. Shooting with multiple camera types is now much easier and quicker, because you are starting with a common, colour-matched baseline, saving hours in post, giving you more time for creative grading. The Pro LUTs are designed for perfect Rec709 colorimetry and have a linear luma curve, with an average measured dE(2000) of less than 1, meaning they are visually indistinguishable from reality to the human eye.Īthena LUTs are a brighter version of Pro, designed around how the eye sees, while retaining the same perfect colorimetry as Pro. Cinema standard luminance may be sub-optimal in this context.Leeming LUT Pro™ is the world’s first unified, corrective Look Up Table ( LUT ) system for supported cameras, designed to maximise dynamic range, fix skin tones, remove unwanted colour casts and provide an accurate Rec709 starting point for further creative colour grading. Maybe one of them has info on tweaking HLG3. Gerald Undone has made the definitive videos on Sony picture profiles and working with the Leeming LUT. We use the A7III and A6400, both have HLG3. assuming we are going to use the leeming lut for a nice basic starting point. That said, many make ads for TV where they need to stand out, or vlogs that will play on a bright white page. Are there specific settings to use on the HLG3 PP besides selecting BT.2020. ( using it correctly for cinema, one should be dropping black level of a 40 IRE gray exposed shot to 1-5 IRE, rather than lifting the highlight ceiling) This will place it optimally for the curve/rolloff, but well above the noisefloor, and correctly match cinema-standard luminance. The optimal exposure for GHa is lower than common ETTR video practice*. The 'Sicario ceiling' is a smooth style I love, and its incorporated into EC. Even the recently announced X-Pro3 appears to have 4K Super 35 video features that may prove good enough in a pinch when more video-oriented cameras are unavailable. Black level is at 1-5 IRE, faces anchor around 45 IRE, and the film Sicario placed the highlight ceiling at 75. Leeming LUT Pro for F-Log on Fujifilm cameras with X-Trans sensors Still frame from sample footage of Leeming LUT Pro for Fujifilm F-Log in use with video from Fujifilm X-T3. ![]() Movies in theaters have a standard placement for scene elements that is ideal for that darkened context. ![]() ![]() This may be more approachable for LM fans, although the ideal exposure difference remains steep.Īh ok, you're exactly who I made Linear forĮC is geared around cinema luminance placement, something that I've come to realize needs documentation and detail. the white balance side of an X-Rite Colorchecker Passport is designed for this). Spectrally neutral white or grey card, for white balancing the camera (eg. vlt preview this helps it 'click')Īlso, an update is on the way which will introduce 'Linear' Its features a more standard video luminance, without the 'Sicario ceiling' highlight shoulder. Leeming LUT Pro is compatible with any software or hardware device that supports a 33x33x33 cube LUT. (I recommend shooting entirely new footage exposed to visual taste using the. This effect may be the reason why EC footage from others seems right, while the footage that you've seen with LM in your own workspace won't initially feel right. Especially if you've been using LM for awhile, EC can look especially wrong on reference footage that you've become acclimated to seeing in the LM space. The LM lut heavily prefers ETTR, while EC is best suited to a moderate exposure (middle gray at 40IRE), to avoid placing key scene elements in the rolloff. Do you need a LUT to correct V-LogWhich LUTS do I recommend for V-LogI thought I would share my thoughts on some of the more popular and highly rated LUTs. A big thing with those coming from Leeming is that footage exposed for it will not be ideally exposed for EC.
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