![]() Please note that other Pearson websites and online products and services have their own separate privacy policies. This privacy notice provides an overview of our commitment to privacy and describes how we collect, protect, use and share personal information collected through this site. Pearson Education, Inc., 221 River Street, Hoboken, New Jersey 07030, (Pearson) presents this site to provide information about Peachpit products and services that can be purchased through this site. Whoa! You’re thinking: I don’t want to have to send a whole clip out. Place the playhead (either in the Viewer or in the Canvas) on what you want to export, select the window the playhead is in, and choose File > Export > Using QuickTime Conversion. It can even contain a multiple layer stack of videos with effects combined including transparency ( FIGURE 4.1). This can be a frame of a clip or of a sequence. Instead, all you need to do is place the playhead over the frame you want to export, whether in the Viewer, Canvas, or Timeline. ![]() So how do you export a still frame from Final Cut? Well, the first thing you do not have to do is make a freeze frame. There are also a number of gotchas to be aware of, not least of which is the difference in pixel aspect ratios between television formats and computer graphics. The higher the resolution the bigger the video file but in ProRes format it will be smooth and fast in FCPX.Edit Well: Final Cut Studio Techniques from the ProsĮxporting still frames from FCP has puzzled many people, if for no other reason than there is no Export > Still Image function in Final Cut as you might expect there to be. You have the option of having Compressor convert that image sequence to a ProRes video file in various resolutions such as 4k or original camera resolution. There's no magic way to make the computational burden of handling high-res time lapse stills vanish without any cost. This takes a while to convert and the resultant video file is pretty big, but afterwards it's very fast when imported to FCPX. It can take a sequence of stills and convert those to a ProRes video file, which you then import to FCPX. In the tutorial video I posted above, they show a good way to handle high-res time lapse stills using Compressor. The same data is still being accessed, which you presumably would like the option to crop and zoom into without losing resolution. ![]() Just putting a compound clip wrapper around those doesn't change that. Yes, as I stated in #2 above, if your timeline contains lots of high-res still frames, it is time consuming for FCPX to handle that. Here's a tutorial about using Compressor to convert an image sequence to video for later editing by FCPX: Normally you'd do that in Compressor or some other tool before using FCPX to edit it. It can be time consuming to convert a large batch of high-res still frames to video. If your time lapse material is actually a bunch of still frames, not 4k video, this could change the timing. This also allows checking the appearance of the file before committing to a big upload. Otherwise you never can tell if the upload part or the encoding part is the bottleneck. So if your source material is 2 hr 17 min, it would take 1 hr 24 min to export.Īnytime you have an export performance problem, do it first to a local file then upload it. My 2017 top-spec iMac 27 using FCPX 10.4.3 can export 4k H264 material using those settings at a rate of 38 sec per 60 sec of material. Try exporting directly from FCPX to a file, then upload that file to Vimeo.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |